Me read stuff
I haven't read that much Dickens. The little I should have covered was assigned in high school., which was during (one of) my illiterate period(s). So I picked up David Copperfield to give Dickens a go. The story traces David's adventures and relationships from birth through his mid twenties. To reveal the tiniest bit of the storyline, David's father dies before his birth, and his mother's demise follows while David is still a child with no siblings. Therefore, the book mostly focuses on David being left alone in the world and seeking love beyond his lost parents. Dickens traces his story through childhood, adolescence, young adulthood, and into his mid-to-late twenties. The epilogue extends the picture much further, but that is obviously a quick sketch. It amounts to a large-scale coming-of-age story.
The remarkable thing about the book is that the stories are basically human scale. What I mean by that is that Dickens doesn't use many overtly outlandish plot lines, with some notable exceptions mostly involving disparate characters intertwining their stories along the road. What he does use--maybe more effectively than any author i've ever read--is colorful characters. The characters are vivid and mostly believable, but the believable traits are slightly exaggerated to drill home points. Plus, the various places in England that he talks about (Dover, London, Canterbury, Yarmouth) aren't more than 100 miles from each other (which I understand isn't negligible when you're using horses for transportation), yet the worlds he describes are so distinct. I think that's a difficult thing for an author to capture; it's much easier to contrast Jerusalem with London.
It's kinda cheesy, but I admit that I really fell for David's character. I think I neglect my childhood days too often, but the young David's fears and innocence made me remember things I hadn't thought of in over a decade. There's something pretty moving about reviving instances from childhood that seemed forever gone. As he matures, I admired his loving, level-headed, measured perspective on all the crazy characters he interacts with, but also his passionate sense of justice. David Copperfield rarely becomes combative, but he will battle perceived evils when necessary. His greatest strength, in my opinion, was his ability to strip away BS and see humans at their core levels. He also makes dumb mistakes along the way, but there's always wisdom gleaned from the failings. Another draw was how Dickens carefully described Copperfield's development up to his mid-to-late twenties. Since I fit snuggly in that demographic, I could closely relate to his earlier struggles and the sense of finally getting things (somewhat) figured out by that age.
One sidenote that the book made me consider: when English people moved from the motherland to one of their colonies far overseas (and this could apply to so many people, in so many locations and points in history), especially Australia in the mid 1800's, that often meant they'd never step foot on England's soil again. When you said goodbye to friends and sailed away, it could mean that was the last time you'd ever see their faces again. Letters could be exchanged, but that's no replacement for seeing somebody in the flesh. It's hard for me to grasp that sort of finality. The modest adventures I've had in the American north, east, and midwest since college have taught me that I rely heavily on knowing I'll see my friends and family in the near future. I can be away, but only for so long before the feeling of disconnection trumps the jewels of discovery.
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